By Nancy Mitford
In this pleasant comedy, Fanny—the quietly observant narrator of Nancy Mitford’s most famed novels—finally takes heart stage.
Fanny Wincham—last visible as a tender lady in The Pursuit of affection and Love in a chilly Climate—has lived contentedly for years as housewife to an absent-minded Oxford don, Alfred. yet her existence alterations in a single day whilst her liked Alfred is appointed English Ambassador to Paris. quickly she unearths herself blending with royalty and Rothschilds whereas combating her hysterical predecessor, woman Leone, who refuses to depart the premises. while Fanny’s tender-hearted secretary starts filling the embassy with rescued animals and her teenage sons run clear of Eton and appear with a rock megastar in tow, issues get completely out of hand. Gleefully sending up the antics of mid-century excessive society, Don’t inform Alfred is vintage Mitford.
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Extra resources for Don't Tell Alfred (Radlett and Montdore, Book 3)
Though he has no religion, he broods deeply on those sins committed past and present. On a thick pine log by the campfire, wrenched by his thoughts, he cannot sit still. He shifts his position, spits into the fire, purses his lips, and frowns. He sucks pensively on his pipe. He mutters to himself. Furiously, he stokes the coals. Asleep, he tosses and turns, calling out in terrified bursts to the night as he dreams of bloody teeth falling from his head like hail raining down from a rufescent sky.
I saw your name on the company roster. ” Abrams nods. ” Hyams continues to size up the young man before him. ” he asks. At his father’s mention, Abrams’ jaw hardens. Despite his better judgment, he does not lie. “I. J. Lieber,” he says at length. “I. J. ” Hyams is astonished. ” After a pause, Abrams nods again. Hyams narrows his eyes. Following a few seconds’ hard appraisal, his face broadens with recognition. “Oh sure,” he exclaims, “there you go, I see it now. It’s in the eyes. Same challenge.
Woven across the slave’s back was a coarse latticework of whipping scars, each 52 LANDSMAN thread raised thick and white in the noonday sun. ” Lieber asked his son. “How scarred his back is? ” The boy said he did. ” In heading for the great house, Gerta limping a few paces behind, boiling with rage, Elias noticed how the laneside live oaks met over him at the very tips of their limbs, the sun piercing through in gaps of geometry, leaf to leaf, angle to angle. Walking on, limbs welcoming above, the scene struck the boy as a soldier’s processional, with him charging slowly beneath a hall of outstretched sabers meant as protection against a series of astonishing new hazards.
Don't Tell Alfred (Radlett and Montdore, Book 3) by Nancy Mitford