By François Laruelle, Drew S. Burk
Two decades after cultivating a brand new orientation for aesthetics through the idea that of non-photography, François Laruelle returns, having extra constructed his thought of a non-standard aesthetics. released for the 1st time in a bilingual variation, Photo-Fiction, a Non-Standard Aesthetics expounds on Laruelle’s present explorations right into a photographic considering as a substitute to the tired notions of aesthetics in accordance with an assumed domination of philosophy over paintings. He proposes a brand new philosophical photo-fictional gear, or philo-fiction, that strives for a discursive mimesis of the photographic equipment and the flash of the true entailed in its means of photo making. “A bit like if an artisan, to take advantage of a Socratic instance, rather than creating a digicam established off of diagrams present in manuals, to the contrary had as his or her venture the designing of a totally new equipment of philo-fiction, therefore able to generating now not easily pictures, yet photo-fictions.” One needs to input right into a house for seeing the vectorial and the imaginary quantity. Laruelle’s philo-fictions develop into now not paintings installations, yet “theoretical installations” calling for the dignity of the potential of a non-standard aesthetics being of an equivalent or more desirable strength to paintings and philosophy, an aesthetics in-the-last-instance that's itself an artistic and artistic act of the main modern style.
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Two decades after cultivating a brand new orientation for aesthetics through the idea that of non-photography, François Laruelle returns, having extra constructed his concept of a non-standard aesthetics. released for the 1st time in a bilingual variation, Photo-Fiction, a Non-Standard Aesthetics expounds on Laruelle’s present explorations right into a photographic considering instead to the tired notions of aesthetics in response to an assumed domination of philosophy over artwork.
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Additional resources for Photo-Fiction, a Non-Standard Aesthetics
This is what is done in Philosophie Non-standard where the index and its generic effects are translated into philosophemes, and yet are all captured as particles within the undulatory stream. THE AESTHETIC INSURRECTION AND THE GENERIC EXTENSION OF KANTIAN AESTHETICS The onto-vectorial insurrection is an immanent and idempotent ascender of passivity and not a direct or mechanical action on the dual transcendence of philosophy as Beingbeing. The insurrection manifesrs itselfby an effect of heteronomous subtraction, heteronomous precisely via its immanence, on corpuscular transcendence.
L by Louis Lumiere first screened in 1895. [ I I 50 'I I' I 51 ,. auto-photography, whose chiasm of flesh is not too far off from the bipolar structure crisscrossed within the interior of philosophy playing the role of the third enveloped term in the universal and auto-engulfing context. To put it another way, the doubling of the subject into the photographing and the photographed is still too weak. There are two subjects, the generic=X and the individual, and two possible properties linked to the act of photographing which are necessary in order to determine the X as much as it is possible to do so.
What happens in a phenomenological and operative manner (not in a technological manner) within the camera? In the box there are images. In the matrix of photo-fiction, there are philosophemes which behave like images or photos of the world. Philo-fiction is a genre based on the model of the image or of ti}e photograph, but they are photographs that are traditionally organized the way concepts are, with a high and a low and other directions. The idea that concepts direct themselves or behave more like photographs is certainly a dream of the photographer in philosophy, of a thought-photo or of a photo-fiction which is neither purely conceptual or auto-positional (like philosophy in-itself), 76 II L_ 77 f nor purely quantitative as in physics.
Photo-Fiction, a Non-Standard Aesthetics by François Laruelle, Drew S. Burk